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Please use this identifier to cite or link to this item: http://dspace.bits-pilani.ac.in:8080/jspui/handle/123456789/10564
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dc.contributor.authorPrateek-
dc.date.accessioned2023-04-28T10:10:45Z-
dc.date.available2023-04-28T10:10:45Z-
dc.date.issued2022-06-
dc.identifier.urihttps://www.tandfonline.com/doi/full/10.1080/14746689.2022.2089461-
dc.identifier.urihttp://dspace.bits-pilani.ac.in:8080/xmlui/handle/123456789/10564-
dc.description.abstractThis article explores the poetics and politics of the Indian aunty. I argue that the aunty in the movie The Lunchbox (2013) negotiates with the ancient Sanskrit tradition of akashvani (celestial voice). In the first part of the article, I track the aunty’s trajectory from a loan word in Hindi to a political statement. I then study the aunty through an analysis of Ritesh Batra’s The Lunchbox to demonstrate how the aunty figure rewrites Bollywood’s eroticizing gaze and challenges unpaid female domestic labor. Overall, I examine how the Indian aunty offers another idiom of resistance against the discourse of patriarchy.en_US
dc.language.isoenen_US
dc.publisherTaylor & Francisen_US
dc.subjectSocial Sciencesen_US
dc.subjectBollywooden_US
dc.subjectResistanceen_US
dc.subjectLaboren_US
dc.subjectAkashvanien_US
dc.subjectAuntyen_US
dc.titleAunties are voices from the sky: Re-imagining resistance in bollywooden_US
dc.typeArticleen_US
Appears in Collections:Department of Humanities and Social Sciences

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