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Please use this identifier to cite or link to this item: http://dspace.bits-pilani.ac.in:8080/jspui/xmlui/handle/123456789/10572
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dc.contributor.authorPrateek-
dc.date.accessioned2023-04-28T11:00:51Z-
dc.date.available2023-04-28T11:00:51Z-
dc.date.issued2017-12-
dc.identifier.urihttps://www.tandfonline.com/doi/abs/10.1080/02759527.2013.11932946-
dc.identifier.urihttp://dspace.bits-pilani.ac.in:8080/xmlui/handle/123456789/10572-
dc.description.abstractIf the “unconstitutional” inclusion of Manipur in the Indian union in 1949 left the Manipuris in shock, then the implementation of the 1958 Indian Armed Forces (Special Powers) Act left them speechless and traumatized. In response a new type of Manipuri theatre emerged, which we call “neues theatre.” We examine the reasons for the rise of “neues theatre.” We locate the narrative of a recent Manipuri play Mythical Surrender (2011) in a social and cultural context, explain the ontogeny of Manipuri theatre, and present a gendered analysis to support our views on the impossibility of the unification of North India and the North East.en_US
dc.language.isoenen_US
dc.publisherTaylor & Francisen_US
dc.subjectSocial Sciencesen_US
dc.subjectAngsten_US
dc.subjectArticulatingen_US
dc.titleArticulating Female Angst in Manipur: A Study of Mythical Surrenderen_US
dc.typeArticleen_US
Appears in Collections:Department of Humanities and Social Sciences

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