Articulating Female Angst in Manipur: A Study of Mythical Surrender

Please use this identifier to cite or link to this item: http://dspace.bits-pilani.ac.in:8080/jspui/handle/123456789/10572

Full metadata record

DC Field	Value	Language
dc.contributor.author	Prateek	-
dc.date.accessioned	2023-04-28T11:00:51Z	-
dc.date.available	2023-04-28T11:00:51Z	-
dc.date.issued	2017-12	-
dc.identifier.uri	https://www.tandfonline.com/doi/abs/10.1080/02759527.2013.11932946	-
dc.identifier.uri	http://dspace.bits-pilani.ac.in:8080/xmlui/handle/123456789/10572	-
dc.description.abstract	If the “unconstitutional” inclusion of Manipur in the Indian union in 1949 left the Manipuris in shock, then the implementation of the 1958 Indian Armed Forces (Special Powers) Act left them speechless and traumatized. In response a new type of Manipuri theatre emerged, which we call “neues theatre.” We examine the reasons for the rise of “neues theatre.” We locate the narrative of a recent Manipuri play Mythical Surrender (2011) in a social and cultural context, explain the ontogeny of Manipuri theatre, and present a gendered analysis to support our views on the impossibility of the unification of North India and the North East.	en_US
dc.language.iso	en	en_US
dc.publisher	Taylor & Francis	en_US
dc.subject	Social Sciences	en_US
dc.subject	Angst	en_US
dc.subject	Articulating	en_US
dc.title	Articulating Female Angst in Manipur: A Study of Mythical Surrender	en_US
dc.type	Article	en_US
Appears in Collections:	Department of Humanities and Social Sciences

Files in This Item:

There are no files associated with this item.