Please use this identifier to cite or link to this item:
http://dspace.bits-pilani.ac.in:8080/jspui/handle/123456789/10574| Title: | Hinglish Cinema |
| Authors: | Prateek |
| Keywords: | Social Sciences Colonial Experience Indian Cinema Split Wide Linguistic Character Hindu Nationalism |
| Issue Date: | 2014 |
| Publisher: | Springer |
| Abstract: | About September 1994, the character of Bollywood underwent a change with a deluge of movies such as Bomgay (1996), Bombay Boys (1998), Split Wide Open (1999), Everybody Says I Am Fine (2001), Leela (2002) and Hazaaron Khwaishein Aisi (2003). Myopically acknowledged only as a change in the linguistic character of Bollywood, as manifested in its portmanteau name ‘Hinglish’, this transfiguration was often considered lusterless and sans consequences, or another addition to the long list of names representing a blend of English and Hindi: |
| URI: | https://link.springer.com/chapter/10.1057/9781137426505_11 http://dspace.bits-pilani.ac.in:8080/xmlui/handle/123456789/10574 |
| Appears in Collections: | Department of Humanities and Social Sciences |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.