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Dolly Mishra in Vishal Bhardwaj’s Omkara (2006): A Feminist Reading of the Film.

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dc.contributor.author Sangwan, Devika
dc.date.accessioned 2023-04-08T06:53:25Z
dc.date.available 2023-04-08T06:53:25Z
dc.date.issued 2015
dc.identifier.uri Dolly Mishra in Vishal Bhardwaj’s Omkara (2006): A Feminist Reading of the Film.
dc.identifier.uri http://dspace.bits-pilani.ac.in:8080/xmlui/handle/123456789/10239
dc.description.abstract The legacy of the Shakespearean plays has been the subject of much scholarly analysis over the centuries. Indeed, so powerful are Shakespearean creations that they not only dominate English literature and English studies, but also have successfully transcended the bounds of culture. Shakespeare’s “divine worth” has proven to be so overpowering that, “like the sun it burns while generations pass”. Shakespeare continues to speak to us, generation after generation, throughout the countries and cultures of the world. His renditions are still so contemporary, so very modern, posing fundamental questions that have become particularly acute in the contemporary era. Heralding a celebration of the human spirit, triumphant even when it is vanquished, Shakespeare’s plays probe and inquire into the intractable issues of the self and the other, the individual and the community, and the very purpose of life. Rarely if ever, is one of his many plays not being performed somewhere in the world, and similarly rare is the tertiary English literature scholar and teacher who has not examined his work at length. His plays are seen, read, and studied across the globe as models of high culture and timeless art. en_US
dc.language.iso en en_US
dc.publisher Atlantic Publishers and Distributors Pvt. Ltd. en_US
dc.subject Humanities en_US
dc.subject Shakespeare en_US
dc.title Dolly Mishra in Vishal Bhardwaj’s Omkara (2006): A Feminist Reading of the Film. en_US
dc.type Book chapter en_US


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