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A Procedural's Procedure: The Narrativity of Phyllis Dorothy James White

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dc.contributor.author Shekhawat, Sushila
dc.date.accessioned 2023-04-15T05:28:18Z
dc.date.available 2023-04-15T05:28:18Z
dc.date.issued 2022-03
dc.identifier.uri https://www.literaryvoice.in/LV%20March%202022.pdf
dc.identifier.uri http://dspace.bits-pilani.ac.in:8080/xmlui/handle/123456789/10352
dc.description.abstract Among sub-genres of crime fiction, police procedurals can be the least adventurous. Yet, it has emerged as one of the most popular forms of crime writing in the twenty first century. From novels to television series, films and web series, the sub-genre is widely explored in both the textual and digital space. The procedural's narrative structure follows the classic detective fiction formula but distinguishes itself through its humane characters, representation of social conditions, and struggles of human psyche and emotions. One such narrative is P.D. James's Adam Dalgliesh Series (1962–2008) set in the British space. James uses interrogations, the omniscient narrator and multiplicity of narrative strands within a single story. This paper aims to understand how the police procedural acts as a medium to represent the contemporary society beyond the confines of the genre-structure of crime and investigation en_US
dc.language.iso en en_US
dc.publisher Literary Voice en_US
dc.subject Humanities en_US
dc.subject Phyllis Dorothy en_US
dc.subject James White en_US
dc.subject Police procedural en_US
dc.title A Procedural's Procedure: The Narrativity of Phyllis Dorothy James White en_US
dc.type Article en_US


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