Abstract:
If the “unconstitutional” inclusion of Manipur in the Indian union in 1949 left the Manipuris in shock, then the implementation of the 1958 Indian Armed Forces (Special Powers) Act left them speechless and traumatized. In response a new type of Manipuri theatre emerged, which we call “neues theatre.” We examine the reasons for the rise of “neues theatre.” We locate the narrative of a recent Manipuri play Mythical Surrender (2011) in a social and cultural context, explain the ontogeny of Manipuri theatre, and present a gendered analysis to support our views on the impossibility of the unification of North India and the North East.