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This article demonstrates how Covid-19 transformed the performance aesthetics of ancient theatre traditions in India. I draw primarily on the October 17, 2020 performance of the Ramlila, the folk staging of Ramayana, produced by the Shri Ram Dharmik Leela Committee, Tri Nagar, one of the most popular theatre troupes in North Delhi. In the first part of the article, I explore the metatheatricality of the production by analyzing its camera-centric aesthetic while demonstrating how the performance divested gods of their power. In the second part, I investigate how the performance’s paratextual thematic bestowed power on humans. Broadly, I show that the Covid-era performance of Ramlila marks a break from some of the traditional conventions of performance aesthetics in India. |
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